€” CHANGED The maximum height of instruments was raised to 750 pixels when set via KSP.ADDED New KSP command to enable instruments up to 1000 pixels wide: set_ui_width_px().ADDED Real numbers and advanced math functions are now available in KSP.CHANGED The user interface style has received a major update.All effects are inherent parts of the instrument, regardless of how many instruments are playing at once. A broad range of insert and send effects, including EQs, waveshapers, delays, and reverbs, are available to position the instruments in the mix. The comprehensive filter section offers 17 varieties from analog lowpass and highpass to exotic sound-design filters. The Tone Machines imprints a playable pitch onto the sample and maintains the same length across the keyboard. The Time Machine allows real-time manipulation of length, pitch, and formant. KONTAKT can play back each sample in one of three modes: classic mode, Time Machine mode, and Tone Machine mode. Unlike a conventional sampler, where pitch and length are always linked, KONTAKT's integrated granular resynthesis engine frees you to compose with pitch and timestretch independently. ![]() ![]() If an audio-process is not active, it is neither displayed on the screen nor calculated by the CPU. Filters, effects, and modulations can easily be added with one click. The semi-modular architecture of KONTAKT's audio engine corresponds exactly to its on-screen layout. KONTAKT's advanced design and dynamic resource allocation ensure that its audio engine is always running at optimal efficiency, for up to 256 stereo voices per instance on a standard computer. ![]() An outstanding sample library containing more than three gigabytes of sounds in various styles and categories is also included. Realtime time-stretching and resynthesis, graphical breakpoint envelopes, an integrated loop editor, analog-modelled filters, visually displayed modulation, and breathtaking efficiency create a sampler with the power to realize the most ingenious ideas. In addition to supporting all the standard sample playback and manipulation abilities of its hardware and software predecessors, KONTAKT adds several technologies to give sampling a new dimension. The result is an inspiringly fast and intuitively flexible sampler with exceptional sound quality. ![]() To download TyrellN6, go to the Amazona TyrellN6 V3 page and scroll down until you see the macOS, Windows and Linux links.KONTAKT fuses an innovative design with an advanced sampling engine. The new user interface was designed by Ryo Ishido. In April 2013, we released TyrellN6 version 3, which now supports VST3. After some serious bug-fixing and fine tuning, the final release version became available in April 2011. Only a few weeks later, TyrellN6 was out for beta testing. However, it soon became obvious that developing the hardware would have taken years, so Urs offered to turn the core design into a freeware softsynth. Based on a design similar to Roland’s classic Juno 60, a few modules and novel features could be added without making the product too expensive. A reader survey and follow-up on forum posts provided a pool of ideas for a low-cost hardware analogue synth, which Mic ‘Moogulator’ Irmer collected and used to develop quite a powerful concept. Tyrell is the name of a project by the German online magazine.
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